Bagpipe Glossary

U

Undercut

Removing material from the underneath of a finger hole to sharpen the note on the chanter without changing the shape of the hole.

Union

An early name for Uilleann Pipes.

Unison

In pipe bands, the term unison normally refers to how closely melody players are playing together.

Urlar

Gaelic word for Ground. See Piobaireachd above.

T

Tachum

An onomatapoeic decription of a short melodic figure in Scottish music. It generally consists of a short note, on the beat, which is followed by a long note a second or third below.

Taorluath

A fundamental embellishment in Highland bagpipe playing, a more complex version of the GDE pattern.

Tenon

Connects the pipes to the stocks of a pipe. Tenons are typically wrapped with waxed thread. Cork, o-rings, and other materials are also sometimes employed for this purpose. Italian pipes use bare tapered tenons mating into tapered sockets, and screw threads carved into wood or ivory are also seen.

Tempradura

A prelude played by Spanish bagpipers as a warmup exercise; perhaps a prelude appropriate to set the mood for the concert piece.

Throat

The internal bore of the chanter between the reed seat and the top hole. The shape of this is critical.

Throw on D

An embellishment on the D of the Highland bagpipe chanter not dissimilar to the grip.

Tight Fingering

See closed fingering.

Tipping

A series of short staccato notes played on the Uilleann pipes.

Tongue

The vibrating element of a drone reed which has a single vibrating element. Chanter reeds have two vibrating elements or blades.

Tuning Pins

Also know as tuning slides, the sections of the drone that when mated together allow the overall length to be adjusted in order to bring the drone into tune.

S

Scraper

A tool (knife) used to scrape reeds; the shape of the tool is critical.

Seasoning

Another name more commonly used nowadays for “dressing”.

Second Octave

The upper octave on the Uilleann chanter.

Seconds

A Highland bagpipe term for harmonies, usually based around parallel thirds. The effect is often intended to be textural rather than to have genuine musical merit.

Shooting Board

A wood block about 6″ by 2″ x 1″ with a grove running through the long end. Used to make reeds.

Single Reed

A reed with one blade, which sounds continuously through passage of air. Usually the shape of a cylinder with a tongue or flap and a bridle.

Sliding

Rolling a finger off a hole to create a sliding pitch change.

Staple

A small cylindrical piece of metal (usually copper) tubing used to support the blades of a reed.

Stop Key

See Chanter Stop Key.

Strike

A gracenote played by tapping one or more fingers on the chanter.

Striking in

The process of bringing in the drones and placing the bag under the arm in a comfortable position.

Siubhal

A type of Piobaireachd variation, similar to the Dithis.